In school we learn that copying is cheating, and it is probably true in many areas of our life, but when it comes to art the rules are different. Copying from masters always has been a normal practice in every artist’s workshop where young apprentices would learn their teacher’s technique while copying their drawings and paintings. Edgar Degas even said, “You have to copy and recopy the masters and it’s only after having proved oneself as a good copyist that you can reasonably try to do a still life of a radish.”
Inspired by this idea, I started drawing from great masters, and one of my copies looked like that:
I sent it to a friend of mine to get feedback and he said, “Cool, I immediately recognized the Duchess from Alice’s Adventures in Wonderland.”
“What are you talking about?” I was stupefied. “I copied the drawing of Leonardo da Vinci, and he lived looong before Lewis Carroll…”
He sent me this picture to prove his point. The Duches truly looked somewhat similar to da Vinci’s caricature.
I went googling and discovered that John Tenniel, the first illustrator of the Lewis Carroll’s famous story created the image of the Duchess using as reference the painting of Quentin Matsys called The Ugly Duchess (also known as A Grotesque Old Woman). It was created in 1513 when Leonardo da Vinci was still alive.
So, did Quentin Matsys copy from da Vinci? Nope, as it turned out, on the contrary. Leonardo da Vinci who was always interested in all kinds of anomalies and was obviously impressed with this quite disproportional face (which by the way belonged to a real woman) made a couple of drawings after Quentin Matsys’s work.
Quite a confusing story, isn’t it? I felt like Sherlock Holmes while searching the information. And now, only Pablo Picasso’s phrase comes to mind, “Good artists copy, great artists steal.” No doubts anymore, it’s true.
A person who wants to learn to draw but has no opportunity to attend an art school (for lack of time or money etc.) today has another option called Internet. YouTube is the biggest source of free art tutorials that you can watch at any time, so it seems ideal, right? Not so much, as it turns out. YouTube is full of people who are ready to teach you while they are not well trained themselves. As a result, you pick up their mistakes instead of real knowledge. And when you are a beginner you can’t see the difference. The only way here is to choose those who know the craft for sure. As I have already past this period of looking for great teachers I can share what I have found. Of course, my list is incomplete and quite subjective, but anyway it can serve someone who is serious about learning to draw but doesn’t know where to start.
First place to visit is the web site Ctrl+Paint. The artist behind it is called Matt Kohr and he is able to explain quite complicated things in a short and clear way. The website offers a very big library of free tutorials about basics of drawing and digital painting, as well as various in-depth classes that cost $10 each. I really love this web site.
Proko is a name of a web site and also a YouTube channel founded by the artist Stan Prokopenko who creates free short video tutorials that allow to learn complex subjects in small portions. Proko teaches an academic approach to drawing and the major subject here is human figure and portraits. Lately the authors started a caricature course which follows the same scheme of short and entertaining tuts. Those who are ready to pay can buy detailed in-depth courses on anatomy, figure and portrait drawing and caricature. I am subscribed to Proko’s YouTube channel to stay in tune.
Thanks to Proko, I discovered Marshal Vandruff, a fantastic artist and teacher who explains perspective better than anybody I could find. On his web site you can download 1994 Perspective Drawing Series (it’s kind of old, but the perspective rules don’t change, you know) which consist of 12 lectures, each is about 30 minutes long. It costs only $12. Also, Vandruff conducts seminars on such subjects as human and animal anatomy, composition, visual storytelling etc. Check his web site to know more, I’m sure you’ll find something that will work for you.
Aaron Blaise is a wild-life artist and animator who worked for Disney for about twenty years. Today he dedicates his time to personal projects and educating artists. He creates hours-long tutorials on animal and human anatomy, character design and animation that you can buy on his web site. The average price is $60-75 for a course, but the courses are often on sale, so if you are patient you can buy them with a big discount. Plus you can buy a yearly subscription which includes everything that is already on the web site and will be issued during the year. You can find sneak peeks from the tutorials on Aaron Blaise’s YouTube channel, as well as regular online sessions where he demonstrates his working process when creating illustrations from a sketch to final touches. Aaron Blaise is very inspiring, and I love one of his paintings so much that I installed it as a wallpaper on my PC screen.
The founder of Schoolism Bobby Chiu claims that he created it to be able to learn from the best visual artists and that he often takes classes himself hiding behind a random name. The level of classes on Schoolism varies from beginner to advanced and the spectrum of subjects covers everything, from fundamentals to portfolio reviews. Whether you want to study realistic oil painting or caricature, storyboarding or environment design, concept art or sculpting you’ll find it here. Just to mention some names, the teachers are Thomas Fluharty, Nathan Fowks, Jason Selier, Stephen Silver, Terry Whitlatch and Bobby Chiu himslef. To get an access to classes you have to buy a yearly subscription that costs $299,40. Bobby Chiu also has his YouTube channel where he discusses a wide variety of issues and posts interviews with outstanding artists.
The Society of Visual Storytelling is an online art school founded by artists Will Terry and Jake Parker and oriented mostly at illustrators interested in children’s literature. The classes are of different length and level, from beginners to advanced, and the subjects are also very different: fundamentals, inspiration sources, drawing animals, character design, perspective, color, composition etc. The prices start at $10, but you can also buy a monthly or yearly subscription which gives you an access to the entire video library. The monthly pay is $14,99, but I heard the prices are planned to be doubled quite soon. Check this web site, I am sure you will find something that will suit your needs.
I also follow Will Terry’s YouTube channel where he shares his personal and professional experience connected to the world of kidlit and answers his followers’ questions.
This web site offers a quite unusual approach to drawing which I am sure you cannot find anywhere else. It is based on geometry and Golden Ratio – the principles that Myron Barnstone considers the most important in the classical school of drawing. The course I watched is called Introductions to Drawing Systems. It is pretty expensive ($349), very interesting, very informative and very complicated. I had to see every lecture for three times to truly get what Barnstone meant. But it was totally worth it because it is so much easier for me now to analyze form and composition, and I can even understand – finally! – how to inscribe a sphere in a cube. I have to add that Myron Barnstone passed away in 2016, but his legacy of teaching lives on.
Well, that’s it. This is the list of the web sites I find helpful for those who want to improve their drawing skills. Congratulations if you were able to read it all through! If you are aware of a great source of knowledge I haven’t mentioned, please leave your comment to share it with everybody else.
He waited for an hour, and he felt hungry and pissed off. He and Meg agreed to meet in the park and then go to have lunch somewhere before the class started. He called her a hundred times, but she never answered.
“I’m sure she forgot to recharge her phone again. So typical!” He came up to the college and watched students, entering and leaving through the big oak door. “Why is she always like this? It was her idea, after all, to take art lessons, and now she isn’t here.”
“I won’t wait anymore,” he finally made up his mind. “She will be angry, but it’s not my fault that she never arrived. I will go there by myself.”
He didn’t know anything about art, and, truly, wasn’t interested. But she said, “Stephen, you need to develop your creativity,” and he bought brushes, oil, pencils and a couple of sketchbooks and signed up for this course.
He entered the classroom and sat behind one of the easels that stood near the window. Every now and then he threw a glance outside in hope to see her hurrying in. The teacher talked about importance of seeing things the way they are and not allowing common prejudices and tricks of mind to prevent you from portraying life that flows in front of you. Then she explained main principles of chiaroscuro and put a cube and a ball on the table in front of her. “Now, take pencils and draw what you see,” she said.
“Art is even more boring than I expected,” he thought and looked through the window. “Why is she doing this to me?”
“Is something wrong?” The teacher stood behind him and looked at the sheet of paper he hadn’t touched yet.
“Ah, well… I don’t know where to start,” he said.
“Start with the main forms, try to grasp the proportions. Then work on details, ok?”
He nodded ok, lifted his hand with a pencil and watched the teacher check other students’ work. “Something is wrong,” he thougt and looked through the window again. This time he saw her. Meg was standing at the stairs and was not in a hurry at all. She was talking to Matt, the guy they met once at the Halloween party. Matt was a football team captain, and she was impressed with his biceps and giggled when he offered her to touch it.
Stephen got mad at her for this shameless flirting right in front of him and rushed out of the party. Later she called him and said that she was sorry, that she was drunk and that she could never be seriously attracted to someone like Matt. “He’s a sportsman, they all so shallow, you know. You are smart.”
He forgave her then; he thought it would be stupid to break up over something so insignificant; he even blamed himself for being ridiculously jealous. But now she was kissing Matt.
“Importance of seeing things the way they are,” he gloomily looked at the teacher. “This is what I should draw instead of these stupid shapes. The betrayal that flows in front me.”
He turned away from the window. He didn’t want to see anything, he didn’t want to think about anything. He only could sit and stare at the white paper.
When the teacher came up again to check on him she saw “Fuck off!” written in the middle of the sheet. She frowned but didn’t say anything and passed by Stephen who was sobbing now, hiding his face behind his hands.